2007
Rhodes, Richards, The New Abstraction, Canadian Art, Spring, p. 14-16
Thornton, Sarah, Reality Art Show, The New Yorker, March 19th, p. 74 – 82

2006
Grosse, Julia, Die neue Langsamkeit, DIE ZEIT, Nr. 39, 21st December, p. 69
Ben, Lewis, Space Exploration, The Sunday Telegraph, December 10th , p. 36
Brockes, Emma, I’m sure they were thinking it was time a woman won,
The Guardian, G2, December 6th, p. 32
Searle, Adrian, Odd but worthy winner, The Guardian, December 5th, p.3
Dorment, Richard, No other artist seems to be working like this, The Telegraph, December 5th, p.15
Lubbock, Tom, A worthy winner. And I think we will be seeing a lot more of her, The Independent, December 5th, p.7
Falconer, Morgan, Wenn ich mich zu meinen bildern äussere, könnte ich genauso gut das Gegenteil sagen, Welt am Sonntag, Kultur, December 3rd, p. 80-81
Grosse, Julia, Kunst der Langsamkeit, ZEIT online, 30th November
Cummings, Laura, Painting triumphs again, The Observer, October 10th, p.17 – 18
Vahland, Kia, Fiugobjekte, Metallvogel, Wurfgeschosse, Suddeutsche Zeitung, July 28, 2006 No. 172, p. 14
Collings, Matthew, Diary, Modern Painters, March, p. 34 - 35
Morton, Tom, Terminally New, Frieze, March 2006, p.120 – 125
Prince, Mark, Pluralism, Art Monthly, February 2006, p. 7 – 11
Buck, Louisa, Artist Interview /Champion of Abstraction, The Art Newspaper, January, p. 31

2005
Searle, Adrian, Is Anyone There?, The Guardian, G2, 13 December, p.18 - 20
Abts, Tomma, The Artists’ Artists, Artforum, December, p. 104
Abts, Tomma, on Gwen John’s Chloe Boughton-Leigh (1904 -1908)’, Tate etc.,
Issue #5 p. 56
Ohnemus, Melanie, Das quadratische Gespenst, Texte zur Kunst, nr.59, September,
p.181 - 183
Dunne, Aidan, Artist obsessions and fantasy extravaganzas, The Irish Times,
September 7th, p. 114
Schwabsky, Barry, Slow Time, Modern Painters, September, p. 58 - 59
Burnett, Craig, Tomma Abts - Kunsthalle Basel, Art Review September, p. 114
Preuss, Sebastian, Die neue Liebe zur Geometrie, Monopol, nr. 3, June - July,
p. 50 - 63
Abts, Tomma, Who are you?, Domus, nr. 881, May
Bell, Kirsty, Formalism: Modern Art Today, Frieze, March
Kerr, Merrily, 54th Carnegie International, Flash Art, January - February, p. 51
Siegel, Katy, Carnegie International 2004, Artforum January, p. 175

2004
Hainley, Bruce, The Consensus Thief, New York Times, August 29th, p. 33
Unruh, Rainer, Formalismus, Kunstforum International, Bd. 173, November to December
Hainley, Bruce, Best of 2004, Artforum, December p. 164-5
Siegel, Katy, Tomma Abts, Artforum, January, p. 135
Tomma Abts in conversation with Peter Doig, Painting in the real world, The Wrong Times,
p. 15-16

2003
Hainley, Bruce, Best of 2003, Artforum, December p. 136-7
Slyce, John, Interview, Flash Art, October, p. 69
Burnett, Craig, Tomma Abts, Untitled, no. 28, Summer Issue, p. 60
Buck, Louisa, Tomma Abts: Welf and Zaarke, ArcoNoticias 21, July - August, p. 6-7
Higgie, Jennifer, Bijutsu Techo Magazine, February, p. 96-97
McFarland, Dale, Wallflower, Frieze, Issue 51, March-April, p. 92-93


Publications

2007
Turner Prize: A Retrospective 1984 – 2006, Tate publishing, exhibition catalogue

2006
Turner Prize 2006, Tate Publishing, exhibition catalogue
Of Mice and Men – The Book, 4th Berlin Biennale, exhibition catalogue
Of Mice and Men – Exhibition Guide, 4th Berlin Biennale, exhibition catalogue

2005
Tomma Abts, Kunsthalle Basel, exhibition catalogue

2004
54th Carnegie International, Carnegie Museum of Art, Pittsburgh, exhibition catalogue
Tomma Abts, Galerie Daniel Buchholz / greengrassi, 52 pages
Formalismus, Kunstverein Hamburg, exhibition catalogue
Werke aus der Sammlung Boros, Museum fur Neue Kunst, ZKM Karlsruhe, exhibition catalogue

2003
deutschemalereizweitausenddrei, Frankfurter Kunstverein, exhibition catalogue
Die Logik gefundener Bilder, interview by Ulrike Groos, Kunstpreis der Böttcherstrasse in Bremen, 2003, exhibition catalogue
Vitamin P, edited by Valerie Breuvart, Phaidon, (Terry Myers on Tomma Abts)

2001
Egofugal, 7th International Istanbul Biennial, Desperado, or First notes on the Vernacular, exhibition catalogue, by Bruce Hainley